Aperture, focal length, camera to subject distance, and sensor size. I know we are seeing a magnified image or are we just seeing a crop of the lens? When I was in photography school we had a class called “The Science of Photography.” It was taught by a physics teacher and one of the assignments we had that quarter was to build a pinhole camera. We had to build a pinhole camera and then calculate its focal length and aperture. And yes, the image above, I didn’t get it tack sharp and all that and I’m not super interested in doing so. Tony puts out great stuff and his video above is well researched and I think his math is right but honestly, my dear? Where things start to get confusing and is the topic of many a debate on forums is focal length of lenses and equivalent focal lengths in regard to crop sensors and all that. The only other thing we have to look at is focal length and sensor size. 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The last physical issue I’ve run into for a long time with crop sensors is the fact that it really puts blinders on your wide angle lenses. I have owned one fisheye lens in my life, had it for about two years, didn’t use it much (or only used it as a crutch when I couldn’t think of something more interesting to do), and then I sold it.
I didn’t think that full frame was better just based on size. Some of the trolls out there are going to think this is a Fuji sponsored message. While Fuji is a client of mine and I have done work for them they sure as hell don’t keep food on my table or a roof over my head on any sort of regular basis. The larger the sensor, the shallower the depth of field you get at a given aperture. Photography is art and science and you need to have a foot planted in each of those to be a well-rounded photographer. Here’s what I know: Aperture, focal length, camera to subject distance, and sensor size ALL play a role in depth of field. That’s why I study the likes of Avedon and Mary Ellen Mark and Dan Winters; it’s because of all their gorgeous math. Take a photo with your DSLR at f1.8 and then take the same shot with your cell phone. You are currently standing on the shoulders of many a large format photographer. It gives you a whole new perspective on DSLR photography. You’ll appreciate the speed and agility the 35mm or whatever gives you but you’ll realize how much you are missing as well. You’ll be thankful for your Canon or Nikon or Fuji but you will know there is something out there in the photographic world that it just can’t touch. His coverage of the Olympics with that old Speed Graphic is fantastic and unlike anything other photographers were shooting there. I guess if your name isn’t Greg or Gregory you just need to stick with small format stuff. Cary is a photographer’s photographer and shoots just about every format known to man. This XT1 blows my old D100 and D200 images out of the water. I’ve tested the Nikon D800 pixel beast and it still doesn’t come close to matching a medium format camera. And in preparation for making this blog post I have done a lot of pixel peeping at newer APS cameras from Nikon, Canon, Sony, and the rest and I feel confident saying… It’s become this catch phrase for “out of focus” or “shallow depth of field.” When people say, “Wow. I’m going to a “wider” lens and I’m using a smaller sensor. I have math that says…..” I’m so glad you brought math! Stitching medium format starts to give me the feel of large format. You can also see him working on the streets shooting portraits with an 8×10 in this video. It stands side by side with anything I ever shot with my D3 and I’d say it’s a hair sharper than my 5d2 images. I love the bokeh in your pictures,” that’s a pretty good sign that they don’t know what they’re talking about. Well, Tony Northrup recently made a video going deep into the differences of sensor sizes in respect to aperture values, ISO, etc. Some of the points he’s made have been hotly contested. Also check out Gregory Crewdson’s work and the documentary about his process. Then I started putting the Q&A book together and I had the chance to run pages of test prints for the book. My Fuji images ran side by side with D3 and 5d2 images without a single noticeable drop in quality. The thing that made me stop and stare though is the focus falls off. Cheers, Zack A full time commercial and editorial photographer, Zack shoots everything from bands to CEOs to ad campaigns. I received the test prints back and I taped them to the wall and took one step back. It has a shallow depth of field and the background is out of focus.